Wednesday, July 16, 2014

Moving, Moving...

After 11 years on the waiting list, we are finally moving into Manhattan Plaza, the subsidized housing for actors and other miscreants. So, this week has been about boxes, boxes, boxes. Packing and tossing things out and moving things around.

At the same time, Samuel French, who licenses "The Last Session," has asked for an electronic version of the score, which we never had. The old photocopies are wearing out and they need new!

Trouble is, we never had one of those. It was made back before electronic scoring was really available. So, this has given me the chance to look at the score and make all the changes I've been dying to do for the past 20 years.

Back then, I didn't know how to write out a score, and also I was just too sick. So the version we have now is a transcription of single performance done in New York one night, complete with all the improvisations the cast and musician were doing on that night -- which sounded great then, but which are not really a part of the score. (I want new casts to do their own improvisations.)

So, as all this packing is going on, I'm taking the score one note at a time, revising and reworking everything. Not that it will sound all that different to the untrained ear. But each time we've had new productions, I've had to talk to the various casts and musical directors, explaining that, "No, you don't have to sing that note." And "No, you don't have to play the part that way."

Luckily, I had begun this process already when I met with Tom Turner for the London production. He had a great instinct for how I preferred the songs to be played, and when we tried it out, it worked beautifully. For instance, "Save Me A Seat" should be sung in A-minor. Bob Stillman sang it in B-minor, which is fine, but it's too high for most singers. And it got frozen into the score in his key.

But it's little things like that which I'm now working out. It's a HUGE job and I'm devoting massive amounts of time to it. But this is my chance for the score to look and sound like what I originally intended and I'm loving it. But boy, this is a lot of work.

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