I was captured from the first moment and it held me through to the end, especially Bobby Steggert (who I knew from a short stint on All My Children, and who was terrific in last season's 110 In The Shade), whose deeply emotional, and yet light-hearted, completely present performance left me with tears burning in my eyes and a lump in my throat.
Since I've never liked pastiche songs, written as if from the 40s, I approached this show with trepidation. But the score moved the show along beautifully, and though I wouldn't say the writers are in the same category as a Cole Porter, it didn't matter because, as a whole, the piece is a well-told story, directed with fluidity and magic.
The York should be very proud. A wonderful, wonderful show.
Since I've never liked pastiche songs, written as if from the 40s, I approached this show with trepidation. But the score moved the show along beautifully, and though I wouldn't say the writers are in the same category as a Cole Porter, it didn't matter because, as a whole, the piece is a well-told story, directed with fluidity and magic.
The York should be very proud. A wonderful, wonderful show.
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