As you may know, Jim paints an entirely new painting each performance of Zero Hour. Over the years, "Arthur," the unseen "model/interviewer" was pictured in many different kinds of ways, but, toward the end of this run, Arthur started morphing more and more into Zero. It's dated, on the bottom, 1-9-11.
This is the final painting of the series that includes the original New York run, beginning at the Theater at St. Clements, the DR2 and, finally, one of the places we think of as "home," the Actors Temple Theatre on 47th street, a synagogue we turned into the theater space with "The Big Voice: God or Merman?", thus helping save the synagogue. (Hooray!)
But it's been a great run and Jim needs a break before he starts hitting road. I'll be updating you on the plans for the coming year, soon.