I was approached by someone very seriously and passionately committed to seeing it all the way through as a movie. With electronics getting so cheap and with the current resurgence in musical movies, I really do feel like the time is now. As much as I might enjoy all the other songs and things that have been a result of finger tapping on keyboard or keyboards (music or computer), the music from this show means the most to me. In fact, the entire show means the most to me. Weirdly, even though The Big Voice was our most specifically personal project (being an autobiography and all), it's The Last Session that FEELS the most personal. I can't sing those songs without losing it.
On our cruise to Norway, a bunch of the people we had met on the ship -- both gay and straight; one woman who was a cancer survivor -- gathered together one afternoon and asked me to sing my "AIDS songs" which I had been talking about so much.
It was a tear-drenched afternoon in that little lounge. Let me tell you.
Toward the end, I started singing a bunch of my new comedic stuff just to lift the pall from the room. But the intense emotional outpouring invested in those songs never goes away. Never.
That's why I'm thrilled that there is going to be a brand new production this next season in Norwich Connecticut. And the guy Brett, the artistic director at the Spirit of Broadway Theatre, has chosen for Gideon makes my heart palpitate. I can't say too much until it's all official, but Jim and I have been invited to Norwich on Dec. 6th to host their annual awards show. ("We couldn't get Kathy Griffin, so we're asking you.")
So, we're the "not Kathy Griffin!" I like that. I wish I had her sharp tongue. Well, actually I do. But I don't let Loud Steve out of his cage very often. Makes me wonder if I shouldn't do a Loud Steve blog where I let my other, uninhibited side loose. That'd be fun!
But seeing all this action around The Last Session start to sizzle makes me a very happy boy.
My first show since my surgery. With Blake Zolfo.
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