One of the more fun aspects of seeing a Broadway show, especially one that is as culturally and religious (and hysterically) resonant/explosive is that you get to deliver the news before anyone else. Unlike a movie, where millions see it, a Broadway show can only do, at most, a few thousand people at a time, if that.
Tonight, to great publicity and a box office line around the block -- three hour wait for standing room or cancellations -- the BOOK OF MORMON, written by Trey Parker and Matt Stone, along with Robert Lopez. I don't know any of these people, personally, but I did see Matt Stone, standing in the back, taking it all seriously the night we were there, very early in the previews before the publicity caught on. (Unlike many rock star Broadway composers who can't be bothered to be around their own show while it's still in gestation.)
In many ways, a lot of the recent contemporary work done on Broadway, in my opinion, has felt more dilettantish than serious. What I love about Matt Stone is he's in the back and he's working on it as furiously and as heart-poundingly as any of the great songwriters of yore. It's really refreshing. This is not a cynical attempt to get cheap laughs.
It has paid off in the show, because it manages to use every "worn out" musical theater trope, but makes you believe them. They're not sending up musicals. They're not even sending up Mormons, really. Well, yes, they are. But, it's in the context of the instinctive capacity humankind has for creating and believing in myths that facilitate survival.
For all its ferocity, THE BOOK OF MORMON is going to disappoint people who were hoping for a completely iconoclastic buttfart on the whole Broadway community. But it's not. And that's why I like it so much.
But, mostly I like it because I was laughing so hard, so long and painfully, that I'm still laughing at things I saw that night, two weeks ago.
What a great relief.
Ding dong!
Tonight, to great publicity and a box office line around the block -- three hour wait for standing room or cancellations -- the BOOK OF MORMON, written by Trey Parker and Matt Stone, along with Robert Lopez. I don't know any of these people, personally, but I did see Matt Stone, standing in the back, taking it all seriously the night we were there, very early in the previews before the publicity caught on. (Unlike many rock star Broadway composers who can't be bothered to be around their own show while it's still in gestation.)
In many ways, a lot of the recent contemporary work done on Broadway, in my opinion, has felt more dilettantish than serious. What I love about Matt Stone is he's in the back and he's working on it as furiously and as heart-poundingly as any of the great songwriters of yore. It's really refreshing. This is not a cynical attempt to get cheap laughs.
It has paid off in the show, because it manages to use every "worn out" musical theater trope, but makes you believe them. They're not sending up musicals. They're not even sending up Mormons, really. Well, yes, they are. But, it's in the context of the instinctive capacity humankind has for creating and believing in myths that facilitate survival.
For all its ferocity, THE BOOK OF MORMON is going to disappoint people who were hoping for a completely iconoclastic buttfart on the whole Broadway community. But it's not. And that's why I like it so much.
But, mostly I like it because I was laughing so hard, so long and painfully, that I'm still laughing at things I saw that night, two weeks ago.
What a great relief.
Ding dong!
3 comments:
Hello,
I am writing something on the Miami Gay Men's Chorus upcoming performance at St. Stephen's Episcopal Church. My deadline is Monday at 1 p.m. Could you please send me a press release and a photo?
If these are not available, please let me know as soon as possible so we can figure something out.
I look forward to hearing from you!
Thank you,
Ily Goyanes
305-764-0297
Btw, I write for the Miami New Times, lol.
Thanks!
It's several months later and The Book of Mormon has won several Tony awards, the cast recording is out, there's talk of additional productions, etc.
I was able to get the Book of Mormon tickets over the summer. It was one of those occasions I laughed so hard I hurt. Those guys have the ability to take the darkest subjects and make them laughable. That's quite a feat in my book.
I don't get to New York that often, so I got some other tickts for Broadway while I was there. Needless to say I had a great time! Next time I want to see some off Broadway stuff, and I can't wait.
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